Diary of a Hashish Eater

"Whom do I tell when I tell a blank page?" Virginia Woolf's question is one that generations of readers and writers searching to map a creative life have asked of their own diaries. No other document quite compares with the intimacies and yearnings, the confessions and desires, revealed in the pages of a diary. Presenting seven portraits of literary and creative lives, Alexandra Johnson illuminates the secret world of writers and their diaries, and shows how over generations these writers have used the diary to solve a common set of creative and life questions. In Sonya Tolstoy's diary, we witness the conflict between love and vocation; in Katherine Mansfield and Virginia Woolf's friendship, the nettle of rivalry among writing equals is revealed; and in Alice James's diary, begun at age forty, the feelings of competition within a creative family are explored. "The Hidden Writer shows how the diaries of Marjory Fleming, Sonya Tolstoy, Alice James, Katherine Mansfield, Virginia Woolf, Anais Nin, and May Sarton negotiated the obstacle course of silence, ambition, envy, and fame. Destined to become a classic on writing and the diary as literary form, this is an essential book for anyone interested in the evolution of creative life.

Exciting and beautifully crafted, The Extraordinary Work of Ordinary Writing provides an entirely new way of viewing "ordinary writing, " the everyday writing we typically ignore or dismiss. It takes as its center the diary of Jennifer Sinor's great-great-great-aunt Annie Ray, a woman who homesteaded in the Dakotas in the late nineteenth century. Diaries such as this have long been ignored by scholars, who prefer instead to focus on diaries with literary features. Reading diaries through this lens gives privileged status to those that are coherently crafted and ignores the very diaries that define the form through their relentless inscription of dailiness. Annie Ray's diary is not literary. By considering her ordinary writing as a site of complex and strategic negotiations among the writer, the form of writing, and dominant cultural scripts, Sinor makes visible the extraordinary work of the ordinary writer and the sophistication of these texts. In providing a way to read diaries outside the limits and conventions of literature, she challenges our approaches to other texts as well. Furthermore, because ordinary writing is not crafted for aesthetic reception (in contrast to autobiography proper, memoirs, and literary diaries), it is a productive site for investigating how both writing and culture get made every day. The book is truly original in its form: nontraditional, storied, creative. Sinor, an accomplished creative writer, includes her own memories as extended metaphors in partnership with critical texts along with excerpts from her aunt's diary. The Extraordinary Work of Ordinary Writing will be a fascinating text for students of creative writing as well as of women's studies anddiaries.

Diary of a Madman (film) - Diary of a Madman is a 1963 horror film directed by Reginald Le Borg and starring Vincent Price as Simon Cordier, a French magistrate and amateur sculptor who comes into contact with a malevolent spirit. The invisible - yet corporeal - being, called a "horla," is capable of limited psychokinesis and complete mind control.

Diary of a Country Priest - Diary of a Country Priest (original French title: Journal d'un cure de campagne) is a 1951 French film directed by Robert Bresson, and starring Claude Laydu. It tells the story of a young, sickly priest, who has just arrived in his first parish, a village in northern France.

Diary of a Mad Housewife - Diary of a Mad Housewife is a 1970 film which tells the story of a frustrated housewife who takes a lover, but doesn't find satisfaction. It stars Richard Benjamin, Frank Langella and Carrie Snodgress.

Diary of a Madman (novel) - Diary of a Madman is a farcical short story by Nikolai Gogol. The tale centres on the life of a minor civil servant during the repressive era of Nicholas I.

diaryofahashisheater

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